{"title":"Visual arts","description":"\u003cp\u003e\u003c\/p\u003e","products":[{"product_id":"les-mille-et-une-nuits-et-les-enchantements-du-docteur-mardrus","title":"The Arabian Nights and the Enchantments of Doctor Mardrus","description":"An eminent orientalist and key player in Parisian life, Doctor Joseph-Charles Mardrus (1868-1949) was, after Antoine Galland, one of the first to publish a French translation of \u003cem\u003eThe \u003c\/em\u003e\u003ci\u003eThousand and One Nights,\u003c\/i\u003e of which he delivers a delicious unexpurgated version. Born in Egypt, Mardrus studied in Lebanon before settling in Paris. The publication of these tales, encouraged by Mallarmé, was followed by very diverse works illustrated by the most famous artists, such as Antoine Bourdelle, André Derain, Picart le Doux and Van Dongen. A tireless traveler, the doctor traveled the Orient with his first wife, the fiery poet Lucie Delarue-Mardrus, friend of Nathalie Barney and other famous Amazons, before leading a less hectic life with the gentle Cobrette, whom he met in 1914. Friend of personalities as different as Paul Poiret or Abbé Mugnier, his passion for art and literature made him close to José Maria de Heredia, Robert de Montesquiou, André Gide, Auguste Rodin, Élisabeth de Gramont and Catullus Mendès, a society to which he communicated his passion for orientalism.\n\u003cli class=\"details\"\u003e\u003cspan style=\"color: black;\" color=\"black\"\u003e21.5 x 25.5 cm\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cspan style=\"color: black;\" color=\"black\"\u003e\n\u003cli class=\"details\"\u003e128 pages\u003c\/li\u003e\n\u003cli class=\"details\"\u003e183 black and white and color illustrations\u003c\/li\u003e\n\u003cli class=\"details\"\u003eISBN: 978-2-9092-8391-3\u003c\/li\u003e\n\u003cli class=\"details\"\u003e\u003cspan style=\"color: black;\" color=\"black\"\u003eText in French only\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/span\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352709775417,"sku":"978-2-9092-8391-3","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/c3d16320d2acb2643dee920dc6147844.jpg?v=1523034796"},{"product_id":"nicola-l","title":"Nicola L.","description":"An artist of French origin, since the 1960s Nicola L. lived between Paris and New York, where she eventually settled in 1979. In this city at the forefront of artistic movements, she found an atmosphere in keeping with her work: Penetrables and performances from the 60s, Red Coat from May '68, dismembered bodies born from her revolt against the Vietnam War, which found embodiment in sculpture-objects of vinyl, wood or Plexiglas. Joyfully colorful, using new materials and new forms, Nicola L.'s work is today a humanist invitation to live differently, in a poetic world which denounces the overly sclerotic social practices of our daily lives. From now on, everything becomes a matter of meetings, of traveling companions, of commitments of all kinds, with a backdrop of generosity, which makes nomadism the standard of a future mode where freedom rhymes with fantasy. Exhibited around the world, her works were presented in France in the '60s and '70s at the Templon gallery and the Germain gallery.\n\u003cli class=\"details\"\u003e\u003cspan style=\"color: black;\" color=\"black\"\u003e21.5 x 25.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cspan style=\"color: black;\" color=\"black\"\u003e\n\u003cli class=\"details\"\u003e96 pages\u003c\/li\u003e\n\u003cli class=\"details\"\u003e59 black and white and color illustrations\u003c\/li\u003e\n\u003cli class=\"details\"\u003eISBN: 978-2-9092-8385-2\u003c\/li\u003e\n\u003cli class=\"details\"\u003e\u003cspan style=\"color: black;\" color=\"black\"\u003eText in French only\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/span\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352710594617,"sku":"978-2-9092-8385-2","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/9e4cbb8bb095c6e4e9336fd1e0f27422.jpg?v=1523034798"},{"product_id":"robert-couturier","title":"Robert Couturier","description":"In the sculptor Robert Couturier there is an accuracy of gesture, a restraint which, perhaps, comes from his origins. Born in 1905, into a family of millers from Angoumois, his youth was marked by a passion for drawing. In 1920, he entered the Estienne school in a lithography workshop which he left two years later. His meeting with Aristide Maillol in 1928 was decisive in his decision to become a sculptor. In 1937, he stood out at the International Exhibition of Arts and Techniques with Le Jardinier on the Trocadéro esplanade and his fantastic models from the Pavilion of Elegance. But it was with the monument to Étienne Dolet in 1949 that Couturier freed himself from the classic form to establish himself as one of the representatives of the new figurative sculpture. His taste for conciseness led him very quickly towards a calligraphic form, which kept its power of suggestion intact. Appointed in 1946 to the National School of Decorative Arts in Paris, he taught there until 1962, when he joined the National School of Fine Arts.\n\u003cli class=\"details\"\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003e23 x 30.5 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003cspan color=\"black\" style=\"color: black;\"\u003e\n\u003cli class=\"details\"\u003e256 pages\u003c\/li\u003e\n\u003cli class=\"details\"\u003e300 black and white and color illustrations\u003c\/li\u003e\n\u003cli class=\"details\"\u003eISBN: 978-2-9092-8350-0\u003c\/li\u003e\n\u003cli class=\"details\"\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003eText in French only\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/span\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352710692921,"sku":"978-2-9092-8350-0","price":51.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/531d1fcebec7a76785383fa50c3022c2.jpg?v=1523034799"},{"product_id":"evsa-model-peintre-americain","title":"Evsa Model: American Painter","description":"\u003ctable border=\"0\" height=\"38\" width=\"300\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd align=\"center\" lang=\"lang\" valign=\"valign\" rowspan=\"1\" dir=\"dir\" style=\"width: 150px;\" scope=\"scope\"\u003e\u003ca href=\"index.php?option=com_content\u0026amp;view=article\u0026amp;id=123\u0026amp;Itemid=60\"\u003e\n\u003cdiv class=\"buttonclear\"\u003eSummary\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd align=\"center\" width=\"150\"\u003e\u003ca href=\"index.php?option=com_flippingbook\u0026amp;view=book\u0026amp;id=10\"\u003e\n\u003cdiv class=\"buttonclear\"\u003eBrowse the book\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eThis book is the first work devoted to the life and work of Evsa Model (1899-1976), a unique artist of Russian origin, active in Paris in the 1920s, who later emigrated to America with his wife, photographer Lisette Model. Saturated canvases of skyscrapers and geometric compositions without perspective, between which appear graphic signs or symbols, a silhouette, a face, an eye; his use of bright areas of color reflects his fascination with New York City. A painter, but also a gallery owner and bookseller of genius, as well as the curator of the decorations of his life in a quest for total art, he stands on the margins of\u003c\/span\u003e\u003c\/span\u003e the \u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e20\u003c\/span\u003e\u003c\/span\u003e\u003csup\u003eth \u003c\/sup\u003e\u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003ecentury\u003c\/span\u003e\u003c\/span\u003e avant-gardes\u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e, between constructivism and minimalism, abstraction and figuration.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOn the occasion of the publication of the work \u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eEvsa Model: American Painter,\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e the Baudoin Lebon gallery presents the exhibition “Evsa Model. First Sight” and “Lisette Model. Belmont Park.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003cb\u003eExhibition\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003efrom March 11 to April 10, 2010. Gallery Baudoin Lebon, 38 rue Sainte-Croix-de-la-Bretonnerie, 75004 Paris. From Tuesday to Saturday from 11 a.m. to 7 p.m.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e• Format: \u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e20.5 x 25.5 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e• 120 pages\u003c\/p\u003e\n\u003cp\u003e• 130 color and black \u0026amp; white illustrations\u003c\/p\u003e\n\u003cp\u003e• Paperback with flaps\u003c\/p\u003e\n\u003cp\u003e• ISBN: \u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e978-2-9155-4228-8\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eText in French only\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan face=\"Arial, sans-serif\" style=\"font-family: Arial, sans-serif;\"\u003e\u003cspan size=\"2\"\u003eWith the Baudoin Lebon gallery, Paris, and the Keitelman gallery, Brussels.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"simple-translate-system-theme\" id=\"simple-translate\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"simple-translate-button isShow\" style=\"background-image: url('moz-extension:\/\/73c6a6ec-c2ab-4731-b285-bda861a45a4b\/icons\/512.png'); height: 22px; width: 22px; top: 347px; left: 42px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 300px; height: 200px; top: 0px; left: 0px; font-size: 13px;\" class=\"simple-translate-panel\"\u003e\n\u003cdiv style=\"overflow: hidden;\" class=\"simple-translate-result-wrapper\"\u003e\n\u003cdiv draggable=\"true\" class=\"simple-translate-move\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"simple-translate-result-contents\"\u003e\n\u003cp dir=\"auto\" class=\"simple-translate-result\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp dir=\"auto\" class=\"simple-translate-candidate\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352744181817,"sku":"978-2-9155-4228-8","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/ee9f1fdcdf3625cbe84a1557832246a6.jpg?v=1523034999"},{"product_id":"la-miniature-portrait-de-lintimite","title":"The Miniature, Portrait of Intimacy","description":"\u003cp\u003eFar from being just \"a small painting\", to be placed among trinkets, the miniature is a work of art in its own right. It appeared in England, at the court of the Tudors where, under the reign of Elizabeth I, its role was essential to politics and to the celebration of the royal persona. Linked to literature and poetry, it acquired a scholarly and emblematic meaning. Precisely because of its reduced dimensions, it played a major role in the history of society and sentiments. Easily hidden, offered or stolen, carried on oneself, exchanged between lovers, parents or friends, it was the precious testimony of emotion. An image-memory essential in times of separation, it also often became even more precious after death.\u003c\/p\u003e\n\u003cp\u003eMounted as jewelry, present on or inside a box or in a setting to escape prying eyes, accompanied by the hair of loved one, it was ardently loved, as evidenced by literature and paintings. It was also a diplomatic gift between sovereigns, even if its connotation remained sentimental. Painted on ivory from the second half of the 18\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century, it was subject to a craze which affected all classes of society and that the Revolution and then the Napoleonic wars would only amplify. In this book, its various roles are described, accompanied by an evocation of the most talented and original artists who practiced this art, in England, in France and throughout Europe where the miniature reigned until the middle of the 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century. Between the end of the 18\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e and the beginning of the 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century, its golden age, it was created using the physionotrace, then by small portrait engraving, and then came the miniature on hard porcelain which was developed and perfected during the first half of the 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century.\u003c\/p\u003e\n\u003cp\u003eFrom 1850, photography gradually replaced the miniature which, before giving up its place, tried to adopt the style of these new portraits. Very abundantly illustrated, the book introduces previously unknown, exceptional items from private collections and reveals some unpublished masterpieces from the Museums of Decorative Arts of Paris and Bordeaux, from the Cognacq-Jay museum, from the Frits Lugt (Fondation Custodia) collection, and from foreign museums, notably the Victoria \u0026amp; Albert Museum in London. Prefaced by Emmanuel de Waresquiel, this panorama of the small portrait in all its forms is accompanied by texts from three specialists: Fabienne Xavière Sturm, using Louis-Ami Arlaud-Jurine's studio notebook, publishes the secrets of one of Geneva's finest miniaturists. Claude Tanner, restorer of small portraits on ivory, gives advice for their conservation and restoration. Chantal Bouchon evokes the personality of the great collector and donor Lefebvre of Viefville.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e• Size: 22 x 29 cm\u003cbr\u003e • 254 pages\u003cbr\u003e • Hardcover\u003cbr\u003e • ISBN: 978-2915542349\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352749260857,"sku":"978-2915542349","price":66.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/ac0f568e9248386008212dbebc813530.jpg?v=1523035017"},{"product_id":"pierre-sabatier-sculpteur","title":"Pierre Sabatier, Sculptor","description":"\u003cp style=\"margin-bottom: 0cm;\"\u003eThe sculptor Pierre Sabatier (1925-2003) devoted most of his career to building a monumental and collective form of art, on the fringes of any commercial circuit. Trained after the war at the École nationale supérieure des arts décoratifs, then at the Beaux-Arts of Paris, he creates mosaics and ceramics before turning, at the end of the 1950s, towards metal, which became his material of predilection.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003eIn 1966 he joined the movement “The Living Wall\", which campaigned for the integration of the arts into architecture, collaborating with such renowned architects as Maurice Novarina, the Arsène-Henry brothers, Michel Herbert, Robert Auzelle, Henry Pottier, Pierre Dufau and Daniel Badani.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003eThe expressiveness and monumentality of his works (sculptures, sculpted walls and spaces, clerestories, doors) breathe lyricism and character into modern buildings (office and residential blocks, universities, town halls, company headquarters, churches).\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003eIn the 1980s, Pierre Sabatier surprised the arts world by creating fantastic sets from sprayed concrete in the tradition of grotesques and imaginary architecture, to be installed in amusement parks.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003eHe also continued to speak through metal in vast construction programs, notably in La Défense, in collaboration with the architects Jean-Paul Viguier, Berthet-Pochy or Franck Hammoutène.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003ePierre Sabatier produced\u0026nbsp;abundant work in France and abroad. In 1974 he received the bronze medal for plastic arts from the Academy of Architecture, and in 1976 the silver medal; he then was named knight of the Legion d'Honneur in 2002. The model of the Rochas facade in Paris (1974), one of his most emblematic creations, is in the collection of the National Museum of Modern Art-Centre Pompidou.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003e• Size: 24 x 28 cm\u003cbr\u003e • 216 pages\u003cbr\u003e • 300 color and black \u0026amp; white illustrations\u003cbr\u003e • Paperback with flaps\u003cbr\u003e • ISBN: 978-2-9155-4243-1\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003eText in French only\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\"\u003e\u003ca title=\"_GoBack\" class=\"class\" name=\"_GoBack\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352749817913,"sku":"978-2-9155-4243-1","price":51.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/4e1135c367927bfac1c1e8351a6c0d0d.jpg?v=1523035023"},{"product_id":"martine-martine","title":"Martine Martine","description":"\u003cp class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"color: red;\"\u003eExhibition from April 12 to August 25, 2013 at the Troyes Museum of Modern Art \/ Pierre and Denise Lévy national collections\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Verdana;\"\u003eMartine Lévy was born on April 22, 1932 in Troyes. The daughter of great art lovers, Pierre and Denise Lévy, she grew up in a house open to artists, where each section of every wall was decorated with works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Verdana;\"\u003eEvolving in this artistic excitement, Martine Lévy learned to draw, following the advice of painters Maurice Marinot and André Derain. At the age of 17, she decided to devote herself to painting and settled in Paris to perfect her skills at the Académie Julian and at La Grande-Chaumière.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Verdana;\"\u003eAt 22 years old, she married Léon Cligman, an art enthusiast and collector. That same year, Martine became a double\u003c\/span\u003e-first-name artist. The origin of this mysterious signature, Martine Martine, dates back to her first radio interview. Intimidated by the situation, she repeated her first name twice when the journalist asked her name. In reaction to this response, the journalist exclaimed: \"So it’s Martine Martine.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e• 21 x 27 cm\u003cbr\u003e • 108 pages\u003cbr\u003e • 210 color illustrations\u003cbr\u003e • Paperback with flaps\u003cbr\u003e • ISBN: \u003cspan style=\"mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times;\"\u003e978-2-9155-4251-6\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Times;\"\u003eText in French only\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352752308281,"sku":"978-2-9155-4251-6","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/fd367bcea21972644ecf30276a208475.jpg?v=1523035032"},{"product_id":"albert-diato-ceramiste-et-peintre","title":"Albert Diato: Ceramist and Painter","description":"\u003cp align=\"center\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"color: red;\"\u003eExhibition from July 4 to September 15, 2013 in Monaco: exhibition room on Quai Antoine \u003csup\u003eI\u003c\/sup\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA protean artist who brilliantly handles brush, pen or clay, Albert Diato was born in Monaco in 1927, where he obtained his baccalaureate in 1945. In Paris, during the euphoric post-war period, he rubbed shoulders with all artistic trends of the time, but mainly abstraction, surrealism and lettrism. His poems and short stories reveal an original dreamlike and “underground” universe.\u003cbr\u003e \u003cbr\u003eDiscovering the pleasure of working with clay thanks to Picasso, who invited him to Vallauris and who explored ceramics at the Madoura workshop, in 1948, with Francine Del Pierre and Gilbert Portanier, Albert Diato created the Triptyque workshop, which contributed to the aesthetic revolution of ceramics in the 1950s. From 1952, he opened various workshops in Paris, London, Faenza, etc. His pieces are exhibited in major galleries and have been acquired by numerous museums in France and abroad (Saint-Étienne, Victoria and Albert Museum, etc.). His ceramics are strong and powerful, and their preparatory designs creative and vigorous.\u003cbr\u003e \u003cbr\u003eIn 1959, Diato won the gold medal at the International Ceramics Exhibition in Ostend. That same year, Prince Pierre of Monaco noticed this gifted ceramist and asked him to decorate the Princess Caroline Library in Monaco, inaugurated by the very young princess. In 1960, he commissioned him to create a large ceramic wall panel and a stucco ceiling for the delegates' room at UNESCO in Paris.\u003cbr\u003e \u003cbr\u003eBut the talent of the ceramist should not eclipse that of the painter. His painting is completely unique and original, and appears very early on gouaches, oils, engravings and lithographs. Stylized and sharp, it was initially figurative, before Diato launched headlong, around 1957, into a beautiful poetic abstraction. In 1962, influenced by Yves Klein and his golden monochromes, he introduced gold leaf into his creations. His work, which exudes mysticism and serenity, has been exhibited by the greatest international galleries.\u003cbr\u003e\u003cbr\u003e In 1967, at the request of King Zaher Shah of Afghanistan, and thanks to his great knowledge of enamels and firing, Albert Diato was appointed as an expert by the International Labor Office (ILO) in Geneva in order to revive Afghan pottery. He created a large wall panel for the French embassy in Kabul, then two others for the king's villa in Naghlu.\u003cbr\u003e \u003cbr\u003eIt was only shortly before his premature death in 1985 that Albert Diato returned to Monaco, leaving the memory of an extraordinary warm and poetic personality.\u003cbr\u003e\u003cbr\u003e The retrospective exhibition in summer 2013, organized by the Directorate of Cultural Affairs of Monaco and the exhibition curators Adriano Ribolzi and Marie-Pascale Suhard, will restore Albert Diato to his rightful place in the hearts of Monegasques and to the position of great creator in the artistic context of the 20\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e \u003c\/span\u003ecentury that he occupied during his lifetime.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e• 23 x 30.5 cm\u003cbr\u003e • 288 pages\u003cbr\u003e • 630 illustrations\u003cbr\u003e • Hardback cover\u003cbr\u003e • \u003cspan style=\"color: red;\"\u003eBilingual French-English\u003c\/span\u003e\u003cbr\u003e • ISBN: 978-2-9155-4253-0\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352755060793,"sku":"978-2-9155-4253-0","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/02bc58e7f95e001027be6fbccd72281b.jpg?v=1523035047"},{"product_id":"albert-maignan-peintre-et-decorateur-du-paris-fin-de-siecle","title":"Albert Maignan: Painter and Decorator of Fin de Siècle Paris","description":"\u003cp\u003eAn elusive painter, oscillating between a naturalism in vogue at the end of the 19\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e \u003c\/span\u003e century and an elegiac painting with symbolist accents, Albert Maignan (1845-1908) is one of the great forgotten names of this era. Returned to the spotlight today by the Taylor Foundation and the Picardie Museum, which share his heritage, he has finally regained the legitimate place he had acquired in the\u0026nbsp;Paris of the late 19\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e \u003c\/span\u003ecentury.\u003c\/p\u003e\n\u003cp\u003eTrained under Jules Noël and Évariste Luminais, in 1867 he became a regular at the Salon des artistes français where he exhibited until his death with equal success. Awarded a first medal in 1879, he found recognition in 1888 with \u003cem\u003eLes Voix du tocsin\u003c\/em\u003e – a legendary work which is reborn today after having been rolled up since 1918 – before establishing himself among the eternal artists of the Luxembourg Museum in 1892 with \u003cem\u003eLa Mort de Carpeaux\u003c\/em\u003e, which earned him the medal of honor.\u003c\/p\u003e\n\u003cp\u003eRenowned for his painting, which evolves towards grand decor inspired by his numerous trips to Italy where he discovered the painters of the 17\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e \u003c\/span\u003e and 18\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e \u003c\/span\u003e centuries, Albert Maignan's name is linked to the monumental projects of his time. He leaves a masterful and still living work: painted walls and ceilings at the restaurant Le Train Bleu at the Gare de Lyon and at the Opéra-Comique, tapestries for the Senate, spandrels for the Hôtel de Ville in Paris, stained glass windows for the Saint-Philippe-du-Roule church… Following the fire at the Bazar de la Charité in 1897, during which more than 125 of the most prominent people in fashionable Paris died, he was invited to create two stained glass windows and a 90-square-meter painted dome for the Notre-Dame-de-Consolation chapel, erected in homage to the victims of the tragedy.\u003c\/p\u003e\n\u003cp\u003eIn 1905 he was appointed president of the Taylor Foundation, to which he bequeathed his Parisian house-studio at 1 rue La Bruyère. Albert Maignan played a decisive role in artistic life at the turn of the century, working generously to promote and protect artists.\u003c\/p\u003e\n\u003cp\u003eImportant studio archives, bequeathed to the Picardie Museum with his entire collection, as well as his diary, kept at the National Library of France, allow us to rediscover the richness and extraordinary freedom of this work – a true allegory of turn-of-the-century taste. His wife Louise, daughter of the painter Charles-Philippe Larivière, delivered these to posterity by archiving\u0026nbsp;the remaining works after the death of her husband in 1908 and up until her own death in 1947, so that Albert Maignan would once again become known as one of the greatest names of the 19\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth \u003c\/sup\u003e\u003c\/span\u003ecentury.\u003c\/p\u003e\n\u003cp\u003e• 20.5 x 25.5 cm\u003cbr\u003e • 176 pages\u003cbr\u003e • 200 illustrations\u003cbr\u003e • Hardcover\u003cbr\u003e • ISBN: 978-2-91554-2844\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352764530745,"sku":"978-2-91554-2844","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/282c422587f7cad6e963ad301f986649.jpg?v=1523035133"},{"product_id":"elsa-sahal","title":"Elsa Sahal","description":"\u003cp\u003e\"Abstract and figurative, adorable and abject, elegant and lanky, masculine and feminine, pathetic and impactful, Elsa Sahal's ceramics give birth to a world as disturbing as it is joyful.\" Mara Hoberman.\u003c\/p\u003e\n\u003cp\u003eAll of Elsa Sahal's work is marked by a singular gap between ceramics, a very ancient technique often associated with craftsmanship, and a contemporary, embodied and living statement, which only this medium and its specific materiality allow her to express.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAppearing on the artistic scene at the end of the 90s, Elsa Sahal followed the teaching of Georges Jeanclos at the National School of Fine Arts in Paris from which she graduated. Over time, she developed a personal vocabulary oscillating between a disturbing figuration and a joyful abstraction, establishing a strange biomorphic repertoire, a language through which the body and femininity, constantly questioned, unfold through organs and isolated orifices, or even visceral patterns highlighted by strong colors and by the enamel covering the sandstone.\u003c\/p\u003e\n\u003cp\u003eThis unique work occupies an important place on the contemporary art scene. Exhibited by the Ricard Foundation in 2008, supported and followed, from 1999, by the Claudine Papillon gallery, Elsa Sahal has notably received the MAIF Prize for sculpture (2008) and the contemporary sculpture prize of the Francesco Messina Foundation, Casabeltrame, in Italy (2007).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWork published with the support of the National Center for Plastic Arts and Le Carré, Scène nationale-contemporary art center of the Château-Gontier region.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e• 22 x 29 cm\u003cbr\u003e • 192 pages\u003cbr\u003e • 200 illustrations\u003cbr\u003e • Hardcover\u003cbr\u003e • ISBN: 978-2-91554-2813\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352771084345,"sku":"978-2-91554-2813","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/14d8d72ca8a6a6695384aab7fbf01c26.jpg?v=1523035155"},{"product_id":"johan-creten","title":"Johan Creten","description":"\u003cp\u003eA leading artist on the contemporary art scene, since 1993 Johan Creten has been developing works focused on bronze and ceramic – a material whose plastic potential he\u0026nbsp;grasped very early – combining popular imagery, sensuality and beauty.\u003c\/p\u003e\n\u003cp\u003eA former resident of the Villa Médicis (1996) and the Manufacture nationale de Sèvres (2004-2008), Johan Creten quickly gained international recognition which led him to be exhibited throughout the world. His work, seductive from the first glance, skillfully superimposes a baroque treatment with a classical spirit. Behind sinuous shapes such rich and attractive enameled drips, there is often a fairly virulent denunciation of the different forms of violence against man, homophobia, xenophobia, etc. From June 3, 2016, Johan Creten was invited to invest in the vineyards and estate of Château de Pommard (Côte-d'Or). Twelve works, which this catalog presents, put into perspective with their references, will be integrated into nature and buildings, offering a strong confrontation between this now legendary artist and this exceptional domain.\u003c\/p\u003e\n\u003cp\u003e• 17 x 24 cm\u003cbr\u003e • 64 pages\u003cbr\u003e • 30 illustrations\u003cbr\u003e • Hardcover \u003cbr\u003e• ISBN: 978-2-91554-2974\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352772198457,"sku":"978-2-91554-2974","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/00a701f0ca5dc06a363152169ab6fe96.jpg?v=1523035161"},{"product_id":"jeanne-susplugas","title":"Jeanne Susplugas","description":"\u003cp\u003e\"Aspirin is your morning champagne.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWritten in light-emitting diodes, this installation-slogan is one of the flagship works of Jeanne Susplugas, an artist regularly exhibited in contemporary art museums around the world (Palais de Tokyo, Maison rouge in Paris, Musée d'Art modern and contemporary in Saint-Étienne, Kunst-Werke in Berlin, Shanghai Biennale, Ulrich Museum of Art in Wichita, USA, Villa Medici in Rome…).\u003c\/p\u003e\n\u003cp\u003eA doctor of art history, Jeanne Susplugas has been developing work on confinement and addiction since the early 2000s. She highlights, through a multitude of media, the ills of our society which lead to alienation and confinement.\u003c\/p\u003e\n\u003cp\u003eIncluding videos and installations, but also performances, drawings and sculptures, her work draws its substance in particular from contemporary or ancient literature, from Lewis Carroll to Frédéric Beigbeder or Michel Houellebecq, a veritable reservoir from which she isolates sentences that she has transformed into works.\u003c\/p\u003e\n\u003cp\u003eHighly acclaimed, her work notably received the Opline prize for contemporary art (selected by the artist Orlan).\u003c\/p\u003e\n\u003cp\u003eIn this first widely illustrated monograph, a long interview between the artist and Jackie Ruth-Meyer covers her entire career; Julie Crenn is interested in the relationship that the artist has with literature and words, Julie Bawin in the idea of the ​​house in the artist's visual work. Éric Corboresse and Mario Blaisse analyze the idea of \u003cem\u003e​​Pharmakon\u003c\/em\u003e in the work of Jeanne Susplugas, while Nicole Büsing and Heiko Klaas return to the vision of medicine that the artist presents.\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352773017657,"sku":"978-2-9155-42783","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/6942b74b26635b94b5d88b309ef51cdb.jpg?v=1523035171"},{"product_id":"ingrid-donat","title":"Ingrid Donat","description":"\u003cp\u003eBorn into a family of artists – her father a painter from Reunion Island, her mother a pianist, her grandfather an architect – Ingrid Donat was brought up in Sweden before moving to Paris in 1975. After briefly taking private drawing lessons, she met the sculptor Sylva Bernt, companion of André Arbus, who introduced her to sculpture and the decorative arts, but also personalities such as Diego Giacometti, Sam Szafran and César, who encouraged her to create her own works.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eBeginning with small papier-mâché figures, her sculptures evolved over time and gained in technique and maturity, before she turned to the creation of furniture. Ingrid Donat is marked by the great tradition of French decorative arts, including by Armand-Albert Rateau, as well as by artists such as Gustav Klimt to whom she dedicated a collection in 2002. Her complex vocabulary is enriched by notably embracing the African and Creole decorative repertoire. Her pieces in bronze, aluminum or wood, or often parchment – ​​tables, consoles, bookcases, wall panels, chairs and lighting – are inlaid with motifs, spheres or tactile scarifications. These give this very precise work a singular aesthetic: for example, her Engrenages chest of drawers is made up of three drawers triggering a series of seven heavy bronze gears visible on the exterior sides of the piece of furniture.\u003c\/p\u003e\n\u003cp\u003eExhibited by the Bernard Dulon gallery in France in 1998, she was spotted by Barry Friedman who regularly showed her work in the United States from 2003 onwards. Represented by the Carpenters Workshop Gallery, Ingrid Donat is highly appreciated by major international decorators like Peter Marino, who integrate her pieces into numerous designs for Dior, Cartier, etc.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e• 25 x 30.5 cm\u003cbr\u003e • 288 pages\u003cbr\u003e • 200 illustrations\u003cbr\u003e • Cardboard and embossed cover, gilded edge\u003cbr\u003e • ISBN: 978-2-91554-2950\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":7352773967929,"sku":"978-2-91554-2950","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/69c00332c68424ea80c4ee0edb48f622.jpg?v=1523035180"},{"product_id":"jacques-majorelle","title":"Jacques Majorelle","description":"\u003cp\u003eThe son of the Nancy cabinetmaker Louis Majorelle, the painter Jacques Majorelle (1886-1962) was a key figure in Orientalism. Discovering Marrakech in 1917, he was as fascinated by the city's light and brilliant colors as by its inhabitants. He first moved into the Bou Saf Saf villa, then to the cubist villa designed by the architect Paul Sinoir, which now houses the Pierre Bergé Museum of Berber Arts of the Fondation Jardin Majorelle.\u003c\/p\u003e\n\u003cp\u003eFor nearly 40 years, he tirelessly painted the different ambiances of souks, scenes from daily life or the singular beauty of the models who came to pose in his studio. His many trips to the Kasbahs of the Atlas mountains and the other cities of Morocco allowed him to recreate all the richness of the landscapes, architecture and markets, or of the ceremonies of which he is the privileged onlooker.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s, his experiences of sub-Saharan Africa provoked an aesthetic and chromatic renewal which accompanies all his work up to his latest creations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMediterranean Art Book Prize 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e• 23 x 30.5 cm\u003cbr\u003e • 352 pages\u003cbr\u003e • 1400 illustrations\u003cbr\u003e • Hardcover\u003cbr\u003e • ISBN: 978-2-37666-0088\u003c\/p\u003e\n\u003cp\u003eText in\u0026nbsp;French only\u003c\/p\u003e\n\u003cdiv id=\"simple-translate\" class=\"simple-translate-system-theme\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-image: url('moz-extension:\/\/db5030a9-e377-408a-ba11-1833c403e7d8\/icons\/512.png'); height: 22px; width: 22px; top: 10px; left: 10px;\" class=\"simple-translate-button \"\u003e\u003c\/div\u003e\n\u003cdiv class=\"simple-translate-panel \" style=\"width: 300px; height: 200px; top: 0px; left: 0px; font-size: 13px;\"\u003e\n\u003cdiv class=\"simple-translate-result-wrapper\" style=\"overflow: hidden;\"\u003e\n\u003cdiv class=\"simple-translate-move\" draggable=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"simple-translate-result-contents\"\u003e\n\u003cp class=\"simple-translate-result\" dir=\"auto\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"simple-translate-candidate\" dir=\"auto\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Félix Marcilhac et Amélie Marcilhac","offers":[{"title":"Default Title","offer_id":7352778293305,"sku":"978-2-37666-0088","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/1ae09d6f81c106171b2362e20af212c8.jpg?v=1523035219"},{"product_id":"jean-hugo-faust-magicien-une-lanterne-magique-chez-les-noailles","title":"Jean Hugo: Faust magicien. A Magic Lantern at the Villa Noailles","description":"\u003cp\u003eOn the evening of June 19, 1929, the Bal des Matières given in Paris by the patrons Charles and Marie-Laure de Noailles in their private mansion, Place des États-Unis, appeared as a manifesto which brought together all the artistic antagonisms and the different currents of thought. This total spectacle where everyone was an actor imposed only one constraint: clothes made with unusual materials. The guests arrived draped in pebble costumes, straw dresses, tailcoats made from book covers…\u003c\/p\u003e\n\u003cp\u003eOn this occasion, the couple commissioned original works from several artists or musicians in order to punctuate the evening. Among these was \u003cem\u003eFaust magicien\u003c\/em\u003e, painted by Jean Hugo on thirty-one glass plates projected by a magic lantern, accompanied by a libretto by Louis Laloy and a score by George Auric. The whole thing disappeared after this single projection, before Stéphane Boudin-Lestienne and Alexandre Mare rediscovered the plates, eighty years later, and included them in the collection of the Villa Noailles, in Hyères. 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The development of the Youssoupoff palace in Saint Petersburg, the Caulaincourt castle in Aisne and Maurice Sandoz's villa in Rome – built at the same time as Le Corbusier's Cité radieuse – are the still living testimony of his timeless classicism, clean and refined.\u003c\/p\u003e\n\u003cp\u003eBut the essence of his architectural work is found in his metaphysical and surrealist painting, praised by Paul Valéry, Mario Praz, Henri de Régnier and Jean-Louis Vaudoyer. 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Close to his compatriot Piet Mondrian, with whom he exhibited at the Jeanne Bucher gallery in 1928, he was also very close to the artists Jean Lurçat, Louis Marcoussis, Max Jacob, Jacques Lipchitz, and later Moïse Kisling and Frans Masereel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInfluenced by Cubism, to which he devoted several significant years, in the 1930s he gradually returned to realism, then turned from the 1950s towards fantasy, reconnecting with Flemish painting of the \u003cspan data-mce-fragment=\"1\"\u003e15\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e and \u003cspan data-mce-fragment=\"1\"\u003e16\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e centuries.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe author of abundant painted work, he was also a recognized designer and engraver whose prints have been collected by multiple print firms, private or public, in Brussels, Berlin, Hamburg, Basel, Budapest, Paris and New York.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEmmanuel Bréon\u003c\/strong\u003e is chief heritage curator at the French Monuments Museum. 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Literature fantasized about the romantic relationships between painters and their models, the nude became a commercial issue and realism revealed the rawness of the body.\u003c\/p\u003e\n\u003cp\u003eThis work revisits the major reflections carried out on the theme of nudity and sexuality in the field of art history and the history of sensibilities.\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003eBy placing works in their context and comparing expressions and aesthetics, Claire Maingon opens new fields of reflection, while allowing us to discover little-known or forgotten artists such as Broc, Gavarni, Makart, Beaumont, Dubufe, Galimard, Ranft, Eakins and Lambeaux, alongside the great names in the history of 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e-century art, David, Ingres, Delacroix, Courbet, Manet, Rodin, Gérôme, Falguière, Forain and Gervex.\u003c\/p\u003e\n\u003cp\u003eClaire Maingon is a lecturer in contemporary art history at the University of Rouen. 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By identifying the different actors, soldiers, women and children, famous or unknown, their roles, costumes and weapons, this work allows us to better understand the people of Napoleon's Great Army.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBased on a completely new and exceptional set of contemporary photographs, which show the column as it has never been revealed before, as well as old photographs, drawings, engravings and period documents, this book also looks back on its genesis, its numerous creators, its successive developments, its destruction, its reconstruction, and its recent restoration.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAuthors:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreface by Jean Tulard\u003c\/strong\u003e, historian specializing in the Napoleonic era, member of the Academy of Moral and Political Sciences.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLaurent Baridon\u003c\/strong\u003e is professor of contemporary art history at the Pierre-Mendès-France University of Grenoble.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Bordes\u003c\/strong\u003e is an independent photographer specializing in artistic and architectural heritage.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChristophe Bottineau\u003c\/strong\u003e is chief architect of Historical Monuments.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHubert Cavaniol\u003c\/strong\u003e is a specialist in 19th and 20th century images.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eClaire Maingon\u003c\/strong\u003e is an art historian, and lecturer at the University of Rouen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAntoine de Meaux\u003c\/strong\u003e is a writer and documentary director.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJean-Paul Nerrière\u003c\/strong\u003e is an enthusiast of the Napoleonic era, and member of the Marine Academy.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText in French only\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":39658568974435,"sku":"1","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/COUVVENDOMEFRBD.jpg?v=1637335222"},{"product_id":"vivre-lorient","title":"Oriental Lifestyle","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem\u003eOriental Lifestyle\u003c\/em\u003e \u003c\/strong\u003ewill take you on a journey that reveals multiple astonishing universes captured by a poetic eye.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLike an enchanter, Guillaume de Laubier gives voice to the ochre of the desert and highlights the splendours and wonders of palaces and residences, rich in ancestral expertise. 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He draws inspiration from his entourage, the sculptures of \u003cem\u003eCéleste\u003c\/em\u003e, \u003cem\u003eCamille\u003c\/em\u003e and \u003cem\u003eMathilde\u003c\/em\u003e, from nature, such as in the works \u003cem\u003eDendrologie\u003c\/em\u003e, \u003cem\u003eLune\u003c\/em\u003e, \u003cem\u003eIceland\u003c\/em\u003e, from fascinating celebrities like Annie Lennox, Michael Jackson, or other themes, such as a series of 25 soaps whose material fascinates the artist.\u003cbr data-mce-fragment=\"1\"\u003e 177 new creations are presented here, each with a precise description and spectacular images, sublimating the materials in a compilation of the artist's work.\u003cbr data-mce-fragment=\"1\"\u003e A notebook of contemporary inspirations and a reproduction of his sketchbook complete the repertoire of works, allowing the reader to immerse themself in the sculptor's world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHORS\u003c\/strong\u003e\u003cbr\u003e • Mathilde Debray, engineer. \u003cbr\u003e• Donatien Grau, doctor in French and comparative literature, in modern literature and art history from the University of Oxford and in historical and philological sciences, is the author of numerous publications and research works. He holds university (École Normale Supérieure, Sorbonne) and museum (Getty Images, Musée d'Orsay and de l'Orangerie) positions, and since 2022 he has been an advisor for the contemporary programs at the Louvre.\u003cbr\u003e • Matthieu Nuss, poet and co-director of La Revue, is the author of collections including (une) Affirmation (Ragage, 2006), Agio (Voix, 2009), Au beaufix (Obsidiane, 2013), and Landerissages (La Canopée, 2017).\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":40103735853155,"sku":"1","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/Cover_PR.jpg?v=1665132439"},{"product_id":"art-deco-egyptomanie","title":"ART DECO \u0026 EGYPTOMANIA","description":"\u003cp data-mce-fragment=\"1\"\u003ePublished on the occasion of the 100\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e anniversary of the discovery of Tutankhamun's tomb and the 200\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e anniversary of the deciphering of the Rosetta Stone, this book responds to the still considerable enthusiasm and curiosity surrounding Egyptomania. This concept refers to a collective imagination aroused by a dream which was nourished throughout the 19\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e and 20\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e\u003c\/span\u003e centuries by archaeological excavations and great journeys. These major discoveries were fertile ground for creation, particularly for Art Deco artists who found inspiration in their lines and patterns.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eArt Deco Egyptomania\u003c\/em\u003e explores the origins and functioning of this cultural and artistic process shaped by a multitude of fields. Architecture in particular absorbed these influences to a great extent. Since 1921, the Parisian cinema Luxor, named after the eponymous city, has been displaying shapes and decorations borrowed from the world of the pharaohs. Sculptors created monumental figures protecting the Suez Canal or bestiaries of Egyptian inspiration. The popular art which enters into the house was also imbued with it: candlesticks and clocks were decorated with the eye of Horus and lotus flowers. Posters, sets and costumes for the performing arts followed this fashion, and at the same time, Claudette Colbert played Cleopatra. Finally, the creations of major houses such as Lanvin or Cartier combined antiquity and the spirit of the 1920s in their models. \u003cem\u003eArt Deco \u0026amp; Egyptomania\u003c\/em\u003e is embellished with detailed and original iconography and is part of the Art Deco collection, already composed of two books: \u003cem\u003e1925, When Art Deco Seduced the World\u003c\/em\u003e, and \u003cem\u003eArt Deco France-North America\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText in French only\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":40149473788003,"sku":"","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/CouvertureEgyptomanie.jpg?v=1667557546"},{"product_id":"designers-et-createurs-des-annees-80-90","title":"DESIGNERS AND CREATORS OF THE 80S-90S","description":"\u003cp data-mce-fragment=\"1\"\u003eIn line with the works on decorators of the 40s, 50s and 60s\/70s, this book immerses us in the world of the 80s\/90s. These decades witnessed unprecedented experiments in the world of design and architecture, those of an era where beauty and classic elegance gave way to a multitude of expressions that escape any classification and any hierarchy. Composed of a rich introduction which gives a synoptic vision and thirty-eight monographs which describe its multiple faces, this book makes an exceptionally creative period intelligible and reveals its formidable aesthetic richness through abundant and often unpublished iconography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the advent of post-modernism, a new generation of designers stood out, among them Shiro Kuramata, Philippe Starck, Ron Arad, Bob Wilson, Elizabeth Garouste and Mattia Bonetti. They all regenerated creation by refusing the elitism of their predecessors and favoring the use of new materials. Some turned to salvage, like the Creative Salvage group, who offered inventive and provocative furniture through welding and assembly. Others, gathered in Italy around Ettore Sottsass and Memphis, combined unexpected colors and patterns with the playful use of plastic laminate. Among architects, new building concepts were emerging, as well as the use of materials intended to last, such as glass. Sliding to the end of the 90s, the achievements presented in this book mark the desire for a dialogue between artistic references with a new relationship to the industrial aspect, at the dawn of the 21\u003cspan data-mce-fragment=\"1\"\u003e\u003csup data-mce-fragment=\"1\"\u003est\u003c\/sup\u003e\u003c\/span\u003e century and its technological innovations.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText in French and English\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":40149474345059,"sku":"","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/CouvertureDeco80.jpg?v=1667558025"},{"product_id":"rever-lorient","title":"Oriental Dreams","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-testid=\"N969VtQep\" class=\"text-build-content\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century, many European painters went beyond the fantasy of the Orient to access its essence: they experienced the authentic beauty of light, the harshness of the desert and the strength of ancestral traditions. From Egypt to Algeria, from the Sahara to Palestine, Ernst, Deutsch, Hamdi Bey, Fromentin, Berchère, Bridgman, Ziem, Gérôme, Corrodi, Dinet and Majorelle were fascinated by the atmosphere, the colors and the customs of one of the cradles of civilization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-testid=\"N969VtQep\" class=\"text-build-content\" data-mce-fragment=\"1\"\u003eFervently restoring landscapes, architecture, decorative arts and genre scenes, they were the privileged transmitters of an elsewhere conducive to dreams, and they contributed to enriching the golden age of orientalism.\u003c\/p\u003e\n\u003cp data-testid=\"N969VtQep\" class=\"text-build-content\" data-mce-fragment=\"1\"\u003eText by Mathias Ary Jan, with the collaboration of Claire Maingon.\u003c\/p\u003e\n\u003cp data-testid=\"N969VtQep\" class=\"text-build-content\" data-mce-fragment=\"1\"\u003e25x30.5 cm, 320 pages, 250 illustrations, hardback binding, gold marking, blue tinted edge.\u003c\/p\u003e\n\u003cp data-testid=\"N969VtQep\" class=\"text-build-content\" data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA self-taught art enthusiast, \u003cstrong\u003eMathias Ary Jan\u003c\/strong\u003e founded his first gallery in 1997. After premises at the Louvre des Antiquaires and the rue de Penthièvre, he is now established at 32 avenue Marceau, where he exhibits works from the late 19\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e and early 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e centuries. Among the many artistic movements that flourished during this pivotal period in art history, Mathias Ary Jan specialises in Orientalism and the Belle Époque. He is also President of the Syndicat National des Antiquaires (SNA) and a recognised expert on the painter Felix Ziem.\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":40180809990243,"sku":"1","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/COUVORIENTFR.jpg?v=1669644047"},{"product_id":"antidesign","title":"ANTIDESIGN","description":"\u003cp data-mce-fragment=\"1\"\u003eAt the heart of the excitement of the 1980s, a generation of innovative artists – Mark Brazier-Jones, Marco de Gueltzl, Thierry Peltrault, Franck Evennou, Elizabeth Garouste, Hubert Le Gall, Laurence Picot, Andrea Salvetti, later Claude de Wulf – emerged, equipped with talent, complete freedom and eccentricity. Each bears witness to the importance of artistic craftsmanship, and all take particular paths in order to express universal emotions in their own way. This wave of creative genius has been promoted for nearly forty years by Elisabeth Delacarte, who witnessed the changes in the decorative arts of the 20\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century, thanks to her gallery, Avant-Scène. In-depth portraits and decoration projects punctuate the book, marking the Delacarte years as a part of the history of contemporary creation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe author\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpecialising in the luxury industries, Laurence Picot has worked as a journalist for Le \u003cem data-mce-fragment=\"1\"\u003eMonde\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003eElle \u003c\/em\u003eand \u003cem data-mce-fragment=\"1\"\u003eParis Match\u003c\/em\u003e. She has taught a master's degree in Luxury Industry Management at the University of Paris-Est and created the\u003cem data-mce-fragment=\"1\"\u003e LuxInside\u003c\/em\u003e concept art science\u003cem data-mce-fragment=\"1\"\u003e,\u003c\/em\u003e and photographs and scans of iconic luxury objects exhibited in China, Argentina, Brazil, Canada and at the Grand Palais in Paris. She has written books and a historical documentary on the birth of French luxury in the 17\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e century for \u003cem\u003eArte\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText in French and English\u003c\/p\u003e\n\u003cbr\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":40190374740067,"sku":"","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/COUVANTIDESIGNBD.jpg?v=1670234457"},{"product_id":"pierre-chareau-biographie-expositions-mobilier","title":"Pierre Chareau I: Biography. Exhibitions. Furniture.","description":"\u003cp\u003eThis richly illustrated first volume on Pierre Chareau covers four decades of creations in Europe and the United States. Thanks to the numerous discoveries of the authors, it allows us to deepen little-known aspects of his biography: his training at Waring \u0026amp; Gillow; his participation in 39 Salons and exhibitions from 1919 to 1940, at the Group of 5 as well as at the UAM; his collaborations on the sets of Marcel L'Herbier's films; his decisive encounters with artistic movements such as cubism; the Boutique that he founded with his wife Dollie; the publishing of objects; his proximity to the world of art and personalities such as Jeanne Bucher, Jean Lurçat, Jacques Lipchitz, Rose Adler, Max Jacob, Rob Mallet-Stevens, Nicolas de Staël and Robert Motherwell; and also his activity as a collector, as well as his exodus to the United States in 1940 to flee the Nazi regime. All of this sheds light on his career path and, for the first time, provides an exhaustive portrait of this exceptional artist. This work offers a developed presentation of his furniture, designed for more than 75 private or public installations, thanks in particular to an important archive of all of his creations. Richly illustrated with nearly 500 visuals, this first volume, drawing in particular on several iconographic funds (Museum of Decorative Arts, Paris, Moma, New York), offers a complete summary of his production of furniture and lighting.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":46519568073037,"sku":"","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/CouvChareau1.jpg?v=1680773848"},{"product_id":"pierre-chareau-architecture-interieure-architecture","title":"Pierre Chareau II: Interior architecture. Architecture.","description":"\u003cp\u003eIdentifying more than 90 developments, this work offers a developed and analytical presentation of more than 45 interior architecture projects, private or public.\u0026nbsp;It reveals the evolution of Pierre Chareau's approach to interior design, from his early days as a decorator integrating his furniture into existing spaces, to the advent, over the course of his projects, of a resolutely architectural approach to space, in which furniture comes to life and becomes architecture in its own right. This second volume also returns to his participation in the CIAM as well as the Society of Modern Architects or the Rally of Architects, as well as his collaboration with the magazine \u003cem\u003eL'Architecture d'aujourd'hui\u003c\/em\u003e. It offers a critical analysis of the activity of Pierre Chareau, architect, by deciphering the 14 projects on which he worked, in France from 1923 to 1938, then in the United States from 1945 to 1950, from Djemil Anik's shed to Robert Motherwell's studio in East Hampton. \u003cbr\u003eThis book also offers an in-depth analysis of the Glass House. By painting a portrait of Jean Dalsace and his wife Annie, it allows us to understand the central role of the sponsors in this project. It returns to the architectural and societal context of the time, explaining the importance of light and hygiene in the Glass House. The building site and its vicissitudes are described, followed by a description of the main principles behind the design of the house and an analysis of its volumes and spaces.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText in French only\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":46519604969805,"sku":"","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/products\/COUVCHAREAU2.jpg?v=1680774474"},{"product_id":"oriental-dreams","title":"Oriental Dreams","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the 19th century, many European painters went beyond a merely fantasized East, and reached its very essence: they witnessed the authentic beauty of Eastern light, suffered the desert's harshness and felt the strength of ancestral traditions. From Egypt to Algeria, from the Sahara to Palestine, artists such as Ernst, Deutsch, Hamdi Bey, Fromentin, Berchère, Bridgman, Ziem, Gérôme, Corrodi, Dinet and Majorelle were fascinated by the atmosphere, the colors and the customs of a cradle of civilization. They zealously reproduced its landscapes, architecture, decorative arts and genre scenes, becoming the privileged forebears of a movement which captured an exotic dreamland, and contributing to an enrichment of the golden age of Orientalism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText in English only\u003c\/span\u003e\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":47006404051277,"sku":"","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/OrientalismeCouvertureENEXE_05_1.jpg?v=1690275112"},{"product_id":"fautrier-catalogue-raisonne-de-loeuvre-peint","title":"Fautrier: Catalogue Raisonné of Painted Works","description":"\u003cp\u003eJean Fautrier (1898-1964) was a major artist of the 20th century. Trained at the Royal Academy in London, influenced by JMW Turner, and quickly noticed in 1923 by the collector Jeanne Castel, his style was initially figurative and played on contrasts of light. He drew on reality to better transfigure it, and he renewed the genres of landscape, still life and nude (notably with his series of black works) during the interwar period.\u003cbr\u003e A few years later, his approach changed radically and became much more abstract. He inaugurated the movement of so-called informal art, through which he played with pictorial matter, combining different materials, and creating visions of extraordinary materiality. \u003cbr\u003eClose to the greatest intellectual figures of his time, such as Jean Paulhan, Paul Éluard, Francis Ponge, René Char and André Malraux, Fautrier never stopped producing works of remarkable strength, as evidenced by his notable series \u003cem\u003eOtages\u003c\/em\u003e (1943-1945), \u003cem\u003eObjets\u003c\/em\u003e (1947-1948), and \u003cem\u003ePartisans\u003c\/em\u003e (1956).\u003cbr\u003e In 1960, he received the painting prize at the Venice Biennale. With an extraordinarily complete iconography, this first catalogue raisonné of Fautrier's paintings lists the technique, provenance, exhibitions and bibliography of each of the works. It is also enriched with a detailed biography, technical analyses, scientific reference texts, and also transcriptions of interviews and period broadcasts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHORS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e A Jean Fautrier specialist, Marie-José Lefort directed the Jeanne Castel gallery for many years and is still president of the Jean Fautrier Committee.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eKonstantina Minou is the scientific collaborator of the Jean Fautrier Committee, an organization responsible for authenticating the works of Jean Fautrier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Format: 250 x 305 mm\u003cbr data-mce-fragment=\"1\"\u003e Number of pages: 628\u003cbr data-mce-fragment=\"1\"\u003e Number of illustrations: 1,300\u003cbr data-mce-fragment=\"1\"\u003e Hardcover\u003cbr data-mce-fragment=\"1\"\u003eText in French and English\u003c\/p\u003e\n\u003cp\u003eISBN: 9782376660729\u003cbr\u003e\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":47062563258701,"sku":"","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/Exe_Cover_Fautrier_2306.jpg?v=1691417817"},{"product_id":"modernist-beirut","title":"Modernist Beirut","description":"\u003cp\u003eSince the 1950s, Beirut and Lebanon have been a veritable laboratory of architectural modernity in the Middle East, calling on the greatest national and international architects. Lebanese institutions and large companies began to use concrete and so-called brutalist forms, fully participating in the renewal of global architecture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eLebanon gave birth to a flowering of exemplary buildings during this period; this work is an invitation to discover more than thirty of them, often little-known and admirably captured through the eyes of Matthieu Salvaing.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe authors invite the reader to follow them on a journey to the heart of the different modernist experiences found across Lebanon, with multiple testimonies of a\u0026nbsp;generous, international vision. From public commissions, such as the emblematic Tripoli International Fair built by Oscar Niemeyer or the Ministry of Defense by André Wogenscky, to private villas like those created by Henri Edde, including the Interdesign building by Khalil Khoury, this work is a celebration of a happy history of Lebanon, anchored in modernity and open to the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHORS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMatthieu Salvaing is a photographer specializing in architecture and design. He regularly collaborates with \u003cem\u003eAD\u003c\/em\u003e and \u003cem\u003eWorld of Interiors\u003c\/em\u003e magazines. An eternal traveler, his numerous stays in Brazil have allowed him to produce the work \u003cem\u003eOscar Niemeyer\u003c\/em\u003e (Assouline, 2001). His reports gave birth to the book \u003cem\u003eInterior Journeys\u003c\/em\u003e (Rizzoli, 2020).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA dealer, gallery owner and decorator, and specialist in modernist Brazilian furniture and French furniture from the 1980s, Guillaume Excoffier lives between Paris and \u003cspan data-mce-fragment=\"1\"\u003eDubai\u003c\/span\u003e. He lived for several years in Beirut, where he founded the design gallery \u003cem\u003eGabriel et Guillaume\u003c\/em\u003e in 2013; it is now based in New York.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFormat: 280 x 380 mm\u003cbr\u003e Number of pages: 312\u003cbr\u003e Number of illustrations: 200\u003cbr\u003e Hardcover cloth binding\u003cbr\u003e and screen printed\u003cbr\u003eText in French and English\u003c\/p\u003e\n\u003cp\u003eISBN: 9782376660798\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":47062618898765,"sku":"","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/MODERNISTBEIRUT-1COUV-1.jpg?v=1691418452"},{"product_id":"chefs-d-oeuvre-art-deco-musee-des-annees-30","title":"Art Deco Masterpieces: The Museum of the 1930s","description":"\u003cp\u003eArt Deco, admired by all at the International Exhibition of Decorative Arts of 1925, continued to spread until the end of the 1930s, together with the modernist and cubist movements in the decorative arts, fine arts and architecture. However, many painters from the interwar period, such as Boutet de Montvel, Courmès, La Patelière, Souverbie and Despiau, endeavored to give realism a new face, in tune with the times.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe city of Boulogne-Billancourt is at the heart of this bubbling creativity. Attracted by affordable land, major industrialists like Renault and Dassault settled in this emerging city, as did the Boulogne cinema studios, and artists such as Paul Landowski, Marc Chagall and Juan Gris. The Daniel-Henry Kahnweiler’s “Sundays of Boulogne” helped make the city a leading cultural center by bringing together numerous Cubist artists.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eA privileged witness to this abundant era, the museum of the 1930s preserves in its collections several hundred masterpieces, in fields as varied as painting and sculpture (with the Martel brothers, Jouve, Janniot and Bernard), the decorative arts (with Ruhlmann, Leleu, Follot, Sue et Mare, Printz, Herbst, Sognot and Mallet-Stevens), and graphic arts and architecture. Going against a modernity too long confined to cubism, abstraction and conceptual art, it offers a unique look at this still little-known period.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTHOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmmanuel Bréon is chief heritage curator at the French Monuments Museum \/ City of Architecture \u0026amp; Heritage. He directed the Musée des Années 30, Boulogne-Billancourt, and the Musée de l’Orangerie, Paris. He has curated numerous exhibitions including\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003e“\u003c\/span\u003e\u003cspan\u003e1925, When Art Deco Seduced the World” at the Cité de l’architecture \u0026amp; du patrimoine and \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003c\/span\u003e\u003cspan\u003eArt Deco-France North America\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e\u003cspan\u003e. He is the author of around a hundred works including\u003c\/span\u003e \u003cem\u003eAlfred Janniot: Monumental\u003c\/em\u003e \u003cspan\u003e(Editions Norma, 2022).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormat: 250 x 280 mm\u003cbr\u003e Number of pages: 176\u003cbr\u003e Number of illustrations: approximately 200\u003cbr\u003e Soft binding\u003cbr\u003eText in French only\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN: 9782376660736\u003c\/span\u003e\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":47062696001869,"sku":"","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/BB30_COUV_SELECT_RABATS_16juin.jpg?v=1691759091"},{"product_id":"picasso-et-ses-chiens","title":"Picasso and his Dogs","description":"\u003cp\u003e\u003cspan class=\"HwtZe\" lang=\"en\" data-mce-fragment=\"1\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eIn 1933, Virginia Woolf wrote a biography of the poet Elisabeth Barret Browning, narrated in the first person by her cocker spaniel, Flush.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eIn 1936, to write her memoir, \u003cem\u003eAll the Dogs of my Life\u003c\/em\u003e, Elisabeth von Arnim chose to recount the lives of the 14 dogs who accompanied her, from her childhood in Prussia at the end of the 19th century to her retirement on the \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz JxVs2d\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003ecôte d’Azur.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eIn 1957, the dachshund Lump arrived at Pablo Picasso's house; the dog shared his life until 1973. This book presents Picasso's intimate, family life, with Jacqueline, Claude and Paloma, with the animals that inhabited the villa La Californie, and also his artistic life \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003earound the Meninas of Velasquez.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eDavid Douglas Duncan, the friend who gave Lump to Picasso, brings together the testimonies of this shared life in \u003cem\u003ePicasso and Lump: A Dachshund's Odyssey\u003c\/em\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"HwtZe\" lang=\"en\" data-mce-fragment=\"1\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eInspired by these references, this new collection (whose title is a nod to \u003cem\u003ePicasso and Lump\u003c\/em\u003e) offers a look at the life and work of great artists and art lovers of the 20th and 21st centuries under the\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eangle of the relationship with the “dogs in their lives”.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eErudite and light works, entrusted to the best specialists, mix testimonies and stories, quotes, archive photographs and reproductions of works. These books invite a singular approach between sensitivity and humor, presenting the life and work of Pablo\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003ePicasso, Joan Mitchell, Andy Warhol, Francis Picabia, Pierre Bonnard, David Hockney, William Wegman, Gertrude Stein, Peggy Guggenheim and Yves Saint Laurent. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"HwtZe\" lang=\"en\" data-mce-fragment=\"1\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eAUTHORS\u003cbr\u003eJean-Louis Andral, a painter specialist, has been director of the Picasso Museum in Antibes since 2008. \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eMartin Bethenod has held numerous positions in the field of culture and contemporary art.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eHe has been president of Crédac–Centre d’art contemporain in Ivry since 2013, and is also president of the Archives de la Critique d’Art.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"HwtZe\" lang=\"en\" data-mce-fragment=\"1\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eText in French only\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":48639126339917,"sku":"","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/CoverPicassoFR.jpg?v=1713441034"},{"product_id":"picasso-and-his-dogs","title":"Picasso and his Dogs","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"HwtZe\" lang=\"en\" data-mce-fragment=\"1\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eIn 1933, Virginia Woolf wrote a biography of the poet Elisabeth Barret Browning, narrated in the first person by her cocker spaniel, Flush.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eIn 1936, to write her memoir, \u003cem data-mce-fragment=\"1\"\u003eAll the Dogs of my Life\u003c\/em\u003e, Elisabeth von Arnim chose to recount the lives of the 14 dogs who accompanied her, from her childhood in Prussia at the end of the 19th century to her retirement on the \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz JxVs2d\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003ecôte d’Azur.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eIn 1957, the dachshund Lump arrived at Pablo Picasso's house; the dog shared his life until 1973. This book presents Picasso's intimate, family life, with Jacqueline, Claude and Paloma, with the animals that inhabited the villa La Californie, and also his artistic life \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003earound the Meninas of Velasquez.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eDavid Douglas Duncan, the friend who gave Lump to Picasso, brings together the testimonies of this shared life in \u003cem data-mce-fragment=\"1\"\u003ePicasso and Lump: A Dachshund's Odyssey\u003c\/em\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"HwtZe\" lang=\"en\" data-mce-fragment=\"1\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eInspired by these references, this new collection (whose title is a nod to \u003cem data-mce-fragment=\"1\"\u003ePicasso and Lump\u003c\/em\u003e) offers a look at the life and work of great artists and art lovers of the 20th and 21st centuries under the\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eangle of the relationship with the “dogs in their lives”.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eErudite and light works, entrusted to the best specialists, mix testimonies and stories, quotes, archive photographs and reproductions of works. These books invite a singular approach between sensitivity and humor, presenting the life and work of Pablo\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003ePicasso, Joan Mitchell, Andy Warhol, Francis Picabia, Pierre Bonnard, David Hockney, William Wegman, Gertrude Stein, Peggy Guggenheim and Yves Saint Laurent. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"HwtZe\" lang=\"en\" data-mce-fragment=\"1\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eAUTHORS\u003cbr data-mce-fragment=\"1\"\u003eJean-Louis Andral, a painter specialist, has been director of the Picasso Museum in Antibes since 2008. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eMartin Bethenod has held numerous positions in the field of culture and contemporary art.\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"jCAhz JxVs2d ChMk0b\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" data-mce-fragment=\"1\" jsname=\"W297wb\" jsaction=\"click:Z0znGe,GFf3ac,fbWStc;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:Z0znGe,c2aHje\"\u003eHe has been president of Crédac–Centre d’art contemporain in Ivry since 2013, and is also president of the Archives de la Critique d’Art.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\nText in English only","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":48639144526157,"sku":"","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/CoverPicassoENG.jpg?v=1713441421"},{"product_id":"a-paraitre-pierre-bonnard-et-ses-chiens","title":"Pierre Bonnard et ses chiens","description":"\u003cp\u003e\u003cbr\u003eCaniches, épagneuls, setters anglais, bassets et même teckels : la liste des chiens qui habitent et animent l’œuvre de Pierre Bonnard semble inépuisable. Ils furent les compagnons de sa vie jusqu’au tout dernier jour, et le nerf de sa peinture. Ménagerie intime et invention plastique, poétique, n’ont jamais été aussi soudées.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003ePierre Bonnard et ses chiens\u003c\/em\u003e\u003c\/strong\u003e offre un regard nouveau sur l’œuvre du peintre, souvent associé au chat, à travers la dominante canine qui s’y manifeste. Présents dans ses photographies, ses dessins et ses peintures, les chiens font communiquer vie privée et création artistique de mille façons. S’appuyant sur diverses sources, Stéphane Guégan montre comment ces indispensables compagnons et confidents ont contribué à façonner la vision plastique et poétique de Bonnard : ils bousculent l’échelle de ses compositions, troublent la perspective et apportent mouvement, tendresse et réflexion morale.\u003cbr\u003e\u003cbr\u003eLe livre retrace cette riche relation depuis les joyeuses scènes décoratives des débuts jusqu’aux œuvres tardives, marquées par l’isolement progressif de Marthe, souvent représentée avec ses bassets. \u003cbr\u003e\u003cbr\u003eQuatrième titre de la série \u003cstrong\u003e\u003cem\u003eAmigos Forever\u003c\/em\u003e\u003c\/strong\u003e, il jette un nouvel éclairage sur l’un des peintres les plus sensibles du XXe siècle, les plus mystérieux aussi, et révèle comment, à travers ses chiens, Bonnard a réfléchi à sa création, peinture et livres illustrés, comme à\u003cbr\u003el’unité du vivant.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCaractéristiques de l'ouvrage\u003cbr\u003e\u003c\/strong\u003eDirection d’ouvrage : Martin Bethenod\u003cbr\u003eAuteur : Stéphane Guégan \u003cbr\u003eFormat : 150 x 200 cm\u003cbr\u003eNombre de pages : 80\u003cbr\u003eNombre d’illustrations : environ 50\u003cbr\u003eReliure : Relié dos carré collé \u003cbr\u003eLangue : français (disponible également en anglais)\u003cbr\u003ePrix public : 24 €\u003cbr\u003eISBN : 9782376661122\u003cbr\u003eParution : 17 avril 2026\u003c\/p\u003e\n\u003cdiv id=\"simple-translate\" class=\"simple-translate-system-theme\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-image: url('moz-extension:\/\/f4c63e9a-a5ad-4999-8353-6d97314c654b\/icons\/512.png'); height: 22px; width: 22px; top: 147px; left: 129px;\" class=\"simple-translate-button isShow\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"simple-translate-panel \" style=\"width: 300px; height: 200px; top: 0px; left: 0px; font-size: 13px;\"\u003e\n\u003cdiv class=\"simple-translate-result-wrapper\" style=\"overflow: hidden;\"\u003e\n\u003cdiv class=\"simple-translate-move\" draggable=\"true\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"simple-translate-result-contents\"\u003e\n\u003cp class=\"simple-translate-result\" dir=\"auto\"\u003e \u003c\/p\u003e\n\u003cp class=\"simple-translate-candidate\" dir=\"auto\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Editions Norma","offers":[{"title":"FRA - Français","offer_id":53389904183629,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true},{"title":"ENG- Anglais","offer_id":53389902676301,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/AF_PBonnard-Couv-Plat-1-FR-Com.jpg?v=1770971156"},{"product_id":"echos-echoes","title":"Échos \/ Echoes","description":"\u003cp\u003ePhotographe née en Espagne de parents libanais, Fadia Ahmad développe depuis plus de vingt ans un travail photographique entre Beyrouth, l’Espagne, la France et d’autres territoires traversés au fil de ses voyages. Ses images explorent la ville, l’architecture, les paysages et les traces laissées par l’histoire récente du Liban, notamment après l’explosion du port de Beyrouth en 2020. Alternant scènes urbaines, fragments du quotidien et recherches plus abstraites sur la couleur et la lumière, ce livre d’art richement illustré rassemble une sélection de ses séries majeures. Il est accompagné d’un texte de Pascale Le Thorel.\u003c\/p\u003e\n\u003cp\u003eAuteure : Pascale Le Thorel\u003cbr\u003eFormat : 305 x 250 cm\u003cbr\u003eNombre de pages : 192\u003cbr\u003eNombre d’illustrations : environ 150\u003cbr\u003eReliure cartonnée\u003cbr\u003eLangues : français et anglais\u003cbr\u003ePrix public : 49 €\u003cbr\u003eISBN : 9782376661207\u003cbr\u003eParution : 21 août 2026\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":54587627831629,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/couverture_27_05_1.jpg?v=1787750246"},{"product_id":"tisser-les-modernites","title":"Tisser les modernités - À PARAÎTRE LE 16 OCTOBRE","description":"\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: FR; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eTisser les modernités\u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: FR; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e retrace un siècle et demi d’histoire de la tapisserie française à travers celle de la manufacture Pinton, fondée à Felletin en 1867. Des ensembliers-décorateurs des années 1920 au renouveau contemporain, l’ouvrage raconte comment un savoir-faire d’exception n’a cessé de se réinventer au contact des artistes. Lurçat, \u003ca href=\"https:\/\/www.editions-norma.com\/products\/picasso-et-ses-chiens?_pos=2\u0026amp;_sid=61ebeb95b\u0026amp;_ss=r\" target=\"_blank\" title=\"Picasso\" rel=\"noopener\"\u003e\u003cstrong\u003ePicasso\u003c\/strong\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/www.editions-norma.com\/products\/35-s-latelier-de-le-corbusier?_pos=1\u0026amp;_sid=fb2858088\u0026amp;_ss=r\" title=\"Le Corbusier\"\u003e\u003cstrong\u003eLe Corbusier\u003c\/strong\u003e\u003c\/a\u003e, Calder, Albers ou Stella côtoient ainsi Claire Tabouret, Rirkrit Tiravanija, Beatriz Milhazes, Glenn Brown ou Louise Bonnet. Le livre révèle également des épisodes méconnus, comme les créations de la modiste Claude Saint-Cyr, et revient sur les réalisations monumentales de Pinton, de la cathédrale de Coventry à l’Opéra de Sydney. Richement illustré de tapisseries, de cartons d’artistes et d’archives inédites, il met en lumière une manufacture où tradition, création et modernité dialoguent depuis près de 160 ans.\u003c\/span\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: FR; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: FR; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eAuteurs : \u003c\/span\u003e\u003c\/strong\u003eNathalie Fontès, docteure en histoire de l’art, a consacré sa thèse à la manufacture Pinton et à sa relation à l’art du XX\u003csup\u003ee\u003c\/sup\u003e siècle, soutenue en 2006 à l’université de Toulouse.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eSpécifications techniques : \u003cbr\u003e\u003c\/b\u003eDimensions : 23 x 30,5 cm\u003cbr\u003eNombre de pages : 256\u003cbr\u003eFaçonnage : Relié cartonné\u003cbr\u003eVersion bilingue FR et ENG\u003cbr\u003eEAN : 9782376661252\u003cbr\u003ePrix de vente TTC : 65 €\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Editions Norma","offers":[{"title":"Default Title","offer_id":54603567956301,"sku":null,"price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0019\/5913\/3241\/files\/PintonHD.jpg?v=1788453999"}],"url":"https:\/\/www.editions-norma.com\/en\/collections\/art.oembed?page=3","provider":"Editions Norma","version":"1.0","type":"link"}